Showing posts with label confusion. Show all posts
Showing posts with label confusion. Show all posts

Tuesday, September 18, 2012

Untitled (#126)

Source found here. Originally broadcast on September 17, 1998.

An energetic workout of the unthemed genus. Featuring crackly records, French whispers, zany whirling, violent spoken word poetry courtesy Attaboy, rushing digital effects, melodic polyrhythms, tinny cheesy tunes, unprepped tape warble, a blind walking tour, xylophonic studies, overblown guitar wringing, and a macro-sense of balance between the chaotic and the orderly.
  1. Crumbly whispering
  2. The French hang around
  3. An unhinging progression
  4. [...download complete...]
  5. Ranting obscured by synesthesia
  6. The mess dissipates outdoors
  7. Phased reggae French gurgles
  8. The sighted person
  9. Dreams losing color
  10. Hypnotic vocal chime
  11. Metallismo
  12. Resonance in cavernous tubes
  13. Led Zep on the shortwave

Saturday, August 4, 2012

Panic Movement (#122)

Source file found here. Originally broadcast on August, 20, 1998.

I'm not sure how we came up with this variant on the "scored" shows, but I think the idea was build slowly from a calm passage with more and more "panicked" outbursts at opportune times. Kind of the sonic equivalent of climbing an inclined plane of intensity for the length of the show. This resulting show feels like a creepier, dirtier Halloween show imitation. We peak early, but it does end with a large quantity of loud banging. Some of the sources--e.g. Naked City's Absinthe, F.M. Einheit & Caspar Brotzmann's Merry Christmas--also fit well in a playlist of psychological horror and violence soundtracks. Maybe not gradual panic so much as gradual alienation!
  1. Whispers and heartbeats
  2. Soothing sounds of nature
  3. Down in the speech lab
  4. Horrible, nameless dread emerges
  5. Tension strings and children amok
  6. Ask them to be quiet sir
  7. A promise of cannibalism
  8. Hall running, analysis and static
  9. Various sirens, but a balmy ambience
  10. Irradiating the beachgoers
  11. Oh God it's eating my EYES
  12. We've gotten good at "bludgeoning", haven't we?
  13. That city-sized vacuum cleaner is back

Sunday, March 18, 2012

OUIJATKDF (#98)

Source file is here. Originally broadcast on March 5, 1998.

This was my favorite show score we came up with. Supposedly, the idea came to us that we could give up decision-making during show's performance. Who would decide for us? The spirit world, of course.

There are two production studios involved and each one has its own "map". When an active Ouija board at the station points to the letter "E", for example, TKDF staffer #1 cuts out everything they are doing and plays the first track on turntable one repeatedly, and TKDF staffer #2 turns all active channels up all the way and turns on the FX module. Each letter and number on the board is accounted for this way, and the collage show progresses smoothly and without hiccup or over-thinking.

Actually, in practice this show's plan created unexpected problems as well as some pretty great moments of sound. There was not room in the cramped station to have the Ouija operators in easy "reach" of the Staff, and so there had to be a relay team who took turns running the messages upstairs to the studios. Occasionally this creates awkward pauses and sometimes letters pile up and staff execute commands in quick succession or all at once. Despite making the show difficult in new and interesting ways, the great thing the Ouija board did was create some dynamic events or accidents that we never would have done if left to ourselves.
  1. Modems, oscillators, and Einstein, oh my
  2. Sudden counting
  3. Do you think the spirit likes prog?
  4. Indigestion Robot
  5. Disco Irv and balky outboard motor
  6. All largely propaganda
  7. Let me just weld this door shut
  8. Theatrical entrances
  9. Breakbeat Chinese dog party
  10. Push it into the red, don't stop
  11. A robot is running the show now
  12. And the robot likes Negativland
  13. Drums, samples, and quit followin me
Note from Ian F-R: Actually, the tape ends with some personal recordings that were not broadcast. The robot voice, the Negativland tracks, and the drum patterns are my recordings, added after the show. Whoops.

Sunday, February 19, 2012

Wax Snd Trk (#42)

Source to be found here. Originally broadcast on February 13, 1997.

This show features decorative and distracting sounds surrounding the audio from David Blair's feature-length film Wax or the Discovery of Television Among the Bees. Wax is a surreal allegory involving a beekeeper who skips across time and space to interact with Cain and Abel in the Garden of Eden, meet giant intelligent bees in the New Mexico desert, and become a high-tech weapons system in the 1991 Gulf War. It was the first motion picture to be available via HTTP in 1993.

I purchased a VHS copy of Wax from Blair after seeing a fragment of it in video studio at undergrad art school. Its unstuck-in-time story and the juxtaposition of disparate elements appealed to my new sense of Digital and The Internet, as well as fondness for the really strange. Using early non-linear editing, it exploits that technology's advantages, crafting archival, stock, and original video footage with early computer graphic animation into a disorienting but compelling visual epic.

Soundwise, Wax is simply narrated in the first person by Blair with ambient music and sound effects, so our audio contributions attempt to enhance it in the absence of the film's imagery. Mostly, they add another inscrutable layer, consisting of guitar scrapes, clangs, screeching hand-turned records, samples from Negativland's A Big 10-8 Place, and, finally, some good old drum-and-bass.
  1. The first plutonium bomb
  2. A message was waiting for me in my grandfather's diary
  3. 'O' for the operator
  4. The Tower of Babel
  5. The language of Cain
  6. Out of the dark machinery
  7. I was Zoltan Abbasid
  8. Priests and military planners
  9. A machine large enough to scan an entire mourner
  10. In the air over Basra, southern Iraq
  11. We're genetic researchers
  12. We've come for what's ours

Sunday, November 21, 2010

Tac-Tics (#102)

Source here. Originally recorded on April 2nd, 1998.

All the source material here (and this is of course something that you'll hear my voice and then Lisa's voice go over at the beginning of the show) was taken from an Tennessee collage artist known as "Tac". I can't find anything about Tac (or the tiny label that released him, Atlanta's Suitcase Records) on the internets. We had a box of tapes we worked over rather rigorously for this show. The results are here.

It's quite possible we made everything up except the source material. It might have been given to us on golden tablets by lizard people, for all I can remember. This is unbelievably dense and rewards the repeat listener with unparalleled insight.

  1. Can the intro be more awkward?
  2. The elephants are eating cats at the diner.
  3. Elven belt sander sharpens mushrooms.
  4. Car wash of the dammed.
  5. Trans-dimensional communications channel.
  6. Cement mixer hurdy gurdy.
  7. Searching online for "media-blaster" yielded something else.
  8. My reverb was stuck in the spin cycle.
  9. Wartime British Childrens' Radio Programme.
  10. Emergency in the Funkoplex.
  11. Auto Body Shop Session.
  12. SlowRoboDisco.
  13. Let's Try a Noisy Song.
added by IanF-r:
I wonder if it was this guy. I seem to remember the name (hard to forget), and he's certainly been going at it long enough.

Thursday, July 22, 2010

Tape Loop Marxist (#67)

Should be “Tape Loop Archaeologist”. What the hell were we doing here? It's as if the tape's been buried thirteen years in damp peat. There's certainly no Marxism present, except perhaps the reduction of all sounds to an equal level of recognizance, which is kind of the aural equivalent of blurry.

I vaguely remember attempting twice to make an entire show out of one long tape loop which was jury-rigged to stretch off of the station's reel-to-reel tape machine, and I think that's what this is. It's a shorter show, a mere 37-odd minutes of unintelligible swamp and blowing air. I've listed notes for imaginary sources, as I've no clue what was actually used to make these sounds.

Direct link to file here. Originally heaved into the airwaves on July 31, 1997. Unhelpful playlist sheet here.
  1. Ross ice shelf cracking apart under the weight of tourists
  2. Thousands of timbered trees floating past over slow rapids on their way to the port of Gdańsk
  3. Static on an analog telephone line as you listen to the asthmatic breathing of a tubercular wooly mammoth
  4. Dream you had once of an out-of-control party where the host unexpectedly turned into a werewolf
  5. Rummaging in your pocket for the perfect styrofoam peanut
  6. Hiccuping belt sander in its last few minutes of functional life
  7. Dragging a small tree over twelve lattice fences piled flat on top of each other
  8. World’s largest thunder sheet, 400 yards long but only 1/8 inch thick
  9. Furious drum circle in a hurricane, heard from inside a quonset hut filled with chainsaw sculptures
  10. Being hit in the face with a wave of mud on a riverbank in the Amazon
  11. Riding inside a aluminum-sided bus being driven sideways in gale force winds
  12. Killing flies on a hardwood floor with a pennyloafer while vacuuming the drapes
  13. 5-minute re-enactment of The Matrix on an enormous moving walkway which is slipping its bearings

Saturday, July 3, 2010

Insanity Sounds (#60)

Source available here. The show was originally broadcast on June 15th, 1997.

This show might have been a planned theme show or just named after the theme appeared spontaneously. It seems to hover around/jab at/scurry under the topic of mental health & illness, and it employs delicate as well as blunt instruments. The overall feel is harried, and you can hear a lot of frantic voices, some heavy effects, and an occasionally violent instability, as well as deja vu à la Catch-22 and excerpts from a psychology radio program.

This is a good example of a long-format show which sticks to the collage-mix with little to no break until the end. It's quite difficult to be so frenzied and confused for a straight 90 minutes. Often times the shows drop into musical interludes, but with this one, you get no such breathers.

  1. Fuzz For Junk/Extended Cyborg Death Scene
  2. A World Insane
  3. A Slide Whistle Sneaks Up & Blows in Your Ear
  4. Cheering Man Takes His Date to a John Zorn Show
  5. Did He Say Dr. Tiger?
  6. Strangled or Strangling
  7. It's the Bomb-ardier, & He's Still All Right
  8. Recipe: Waco Funk-Rock Puree
  9. Happy Place Soundtrack
  10. Twinkling Spasms in Turtle Soup
  11. Talkin' World War Baby Telephone Call Blues
  12. Time Travel in the Seventies/Sound of Blood
  13. Black Belt Coming Down