Showing posts with label drone. Show all posts
Showing posts with label drone. Show all posts

Sunday, April 8, 2012

Gradual Brightening, pt 3 (#56)

Source can be found here. Originally broadcast on May 18, 1997. This is Part 3 of a four-part, six-and-a-half hour show that we performed one morning during a gap in the programming between spring and summer schedules at the radio station.

Part 1, Part 2

This segment of this show features a lot of vocalization—mumbled, hollered, gasped, giggled, foamed, and belted. If you've ever pulled a marathon shift, you know that things get loopy after a certain stretch, and hours four and five here are sure showing it. But that was the point, I guess, to go beyond our normal endurance for mixing and test the limits.

It does get tired and fallback upon some late-ninties IDM for a bit, but then there's a great bit where we say "Hello to the universe". The walls of noise and newborn baby reference also play along with the early morning theme, I suppose.
  1. Ode to Dinah Shore
  2. Extended sleep episode
  3. Braying and chimes
  4. whatisitwhatisitwhatisitunclecleottototo
  5. Round and round-dnuor dna dnuor
  6. What's so funny about power electronics?
  7. Foul-mouthed open letter
  8. They're so cute when they start reading poetry
  9. The martial art of jazz-golf
  10. Screamix
  11. Melodic moans of damned doors
  12. Bombast and cheese
  13. Yes, records ARE fantastic

Sunday, April 1, 2012

Gradual Brightening, pt 2 (#56)

Source can be found here. Originally broadcast on May 18, 1997. This is Part 2 of a four-part, six-and-a-half hour show that we performed one morning during a gap in the programming between spring and summer schedules at the radio station.

Part 1

This one is getting going with full-force (already? Save it up, you still have pts 3-4!) raucousness and mayhem. Featuring a cruise-band record from my parents' Bermuda honeymoon, Lewis Carroll poems, the trusty HAL-9000, and some serious out-there skronk and noise, scattered amongst the drone.

  1. On a ship: Lounge act, engine drone
  2. A Wonderland revue
  3. Anime exclaims with light industrial ditty
  4. Primitive scree, rawk overclocked
  5. Wait. Who started the self-destruct sequence?
  6. This is it. We're going to die.
  7. Your life flashes before your eyes—oddly with singing chipmunks
  8. Limbo = electronique opera overture
  9. Getting the saxophone started on a cold morning
  10. Airplane mimicry in shop class
  11. The Avant-garde vs. the Vienna Philharmonic
  12. Absurd getting ugly, draws in John Williams
  13. Twinkling beats. Get it? Beats?

Sunday, March 25, 2012

Gradual Brightening, pt 1 (#56)

Source file found here. Originally broadcast on May 18, 1997. This is Part 1 of a four-part, six-and-a-half hour show that we performed one morning during a gap in the programming between spring and summer schedules at the radio station.

The idea was to begin quietly in the dark of early morning and very gradually increase the energy and mixing as the sun rose and morning progressed. Six plus hours is not a recommended amount of time to do anything non-stop with any consistency or high amount of success, but there are some notable bits here and there once we got into the mode.

Part 1 here starts with the station ID "looping" on the phone delay, and we move into a start-stop section until we work it out with some terrible organ music. From the 30 minute mark onward things are solid in a extended drone and animal-sounds way. Definitely worth taking a listen to, especially on a weekend morning on the couch.
  1. ID...ID...ID...ID...
  2. Is it funny already?
  3. Rather Aphex-y so far
  4. Anton plays an extended etude
  5. Pretty annoying: calliope/R2D2 impression/tinnitus
  6. Practicing my squiggles
  7. Circular breathing through drainpipes
  8. Forest empties of fauna in advance of an approaching menace
  9. Fauna return to bliss out
  10. Thick pulses surfacing
  11. Dulcimer and prepared piano solos
  12. Interesting loops, half-musical
  13. A crumbly accordion

Sunday, January 23, 2011

Drum (#119)

Source here. Originally recorded on July 30, 1998.

The title should be a clear indication of the content, but just in case...

This one is all about drums. Looped, flanged, layered, distorted in various ways. It's in fact one of the most rhythmical shows I've come across. There are sections that are downright danceable, and plenty that is sort of a hypnotic throbbing.
  1. Like a train on the ocean
  2. A moment in a Buddhist temple during a funk concert
  3. The native village gets its first washing machine and it is already unbalanced
  4. My heart has been replaced with superior robot parts
  5. Romanian hip-hop includes castinets
  6. Steel drum band in the next warehouse
  7. CLASH OF THE CARNIVALE AND CHINESE NEW YEAR PARADES
  8. We were going to play basketball but the floor was made of awesome
  9. Martin Denny joins in
  10. Working industrial funk plant
  11. Nothing like home-made toys
  12. We are cleaning the paint off with hammers
  13. A good sanding is what it really needed

Saturday, December 11, 2010

Mysterious Beeping and Static (#105)

Source here. Originally recorded on April 23rd, 1998.

One of the more minimalist versions of the show, this one features an almost ethereal avoidance of anything resembling music. The 10 second delay is looped into the main feed, giving a deep deep deep layered background of the previous few minutes.

  1. Morse code test
  2. Frequency sweep
  3. Most people prefer touch-tone
  4. Sonar Tube
  5. A murmur of voices is barely distinguishable
  6. Whispers in the plenum
  7. Ping pong ping pong ping pong
  8. Telegrammatic Feedback
  9. Very low background radiation
  10. Radar dish singing bowl
  11. A chorus of chaos
  12. A little light grinding
  13. Finally, a stringed instrument

Saturday, November 13, 2010

Night of the Vacuum Cleaners (#95)

Source here. Originally recorded on February 12, 1998.

This is one of my favorite episodes. Like, my most favorite of all, possibly.

We had a herd of vacuum cleaners, microphones of all sorts, and (of course) earplugs. We made a din that was never equaled. We tested the limits of sanity and the WXDU carpet. We alienated the last two people who listened on a regular basis.

God, it was fun. What's amazing (to me) is that it still sounds fun after over ten years.

This sounds like a solid hour of (prepared) vacuum cleaners, with incidental music.
  1. Vacuumaquatsi
  2. Howling Reverb
  3. Stick the Microphone ALL THE WAY IN
  4. The Layers Get Pretty Deep
  5. Sort of a Solo
  6. Not the Chamber Music I'd Imagined
  7. We stop Sucking
  8. More Air and Strings
  9. Flowbee?
  10. Analog Synth Counterpoint
  11. Spin Down
  12. Silence
  13. Final Metal Action
Of course, you might as well just say:
  1. Vacuum Cleaners
  2. Vacuum Cleaners
  3. Vacuum Cleaners
  4. Vacuum Cleaners
  5. Vacuum Cleaners
  6. Vacuum Cleaners
  7. Vacuum Cleaners
  8. Vacuum Cleaners
  9. Vacuum Cleaners
  10. Vacuum Cleaners
  11. Vacuum Cleaners
  12. Vacuum Cleaners (reprise)
  13. Vacuum Cleaners
added by IanF-r: FWIW, here's an image of the show's abbreviated playlist.

Saturday, October 9, 2010

Back to ASCIIs (#86)

Source here. Originally recorded on December 11th, 1997.

I'm not sure why ASCII is pluralized here, but that's what was on the tape. I'm not sure what it means in this context (and I know I've said that many times before). There's nothing remotely computer related on this track, although there's a lot of interweaving vocal and speech parts. Tight loops, and crafty hooks. There's a certain constant throb to the thing that sort of oozes and jostles you all the way.

  1. Honk and Clank
  2. Churn Churn Churn Churn Churn
  3. THX
  4. Hiccup Carnival
  5. Tuvan Hiccup
  6. A moment to groove
  7. Diving mask
  8. For His Coming
  9. One Long Raspberry
  10. Sharpen
  11. The tiniest whale
  12. Bad horror and worse music
  13. Hand-cranked piano
Added by IanF-R:

Okay, I give. I thought I was being clever by making a half-pun on "Basics", as in "Back-to-Basics", "Back-to-BASIC (computer language)", etc. Obviously, it was too far-fetched to translate beyond the day I wrote it down.
But really it doesn't make sense with that explanation, either. I had an infatuation in my early computer-years (circa 1984-1987) with ASCII art like you'd find on the BBS art galleries (didn't we all), and my ignorance of the details behind ASCII/ANSI/etc led me to mythologize its importance to everyday life to some extent, that well, still lurks in my memory, I suppose, being I can talk about it today. Grr. Here's the playlist